Genevieve Fussell is a Senior Photo Editor at The New Yorker. She commissions and produces a range of photography for the magazine, as well as contributing to the curation of Photo Booth, The New Yorker's photography blog. Before joining The New Yorker, Genevieve worked as the archivist for VII Photo, an international collective of photojournalists based in New York and Paris.

As Photography Director, Lucy has helped establish WeTransfer as a leading content platform with a strong commitment to the wider photography community. Collaborating with names like Ryan McGinley, Ami Vitale, and World Press Photo, Lucy has commissioned and curated a number of impressive photographic projects and speaks frequently about the role of photography in digital media today.

Shane Hulbert is an Australian artist, curator and academic.  His work has been shown nationally and internationally, most notably in Melbourne Now at the National Gallery of Victoria, the Centre for Contemporary Photography and Monash Gallery of Art. Recent curatorial projects include a 130-year survey show of RMIT Photography, in addition to exhibiting at RMIT Gallery and Pingyao International Photography Festival. His writing focuses on art and photographic education. Shane is currently the Associate Dean, Photography, in the School of Art at RMIT University.

Arianna Rinaldo is a freelance professional working in photography in various capacities. She is currently the artistic director of Cortona On The Move, an international photo festival in Italy. Previously, she was the director of OjodePez, the only quarterly documentary photography magazine in Spain, and also worked as the Archive Director at Magnum Photos. Arianna is a regular participant in portfolio reviews and jury panels worldwide, as well as a lecturer and educator. She was part of the World Press Photo jury in 2009, Fotopres in Spain in 2012, and has been a Photolucida Critical Mass juror since 2009.

Grzegorz Kosmala is based in Warsaw, Poland, and holds degrees in Media Management (BA) and International Relations and Diplomacy (MA) from the Nowy Sącz School of Business. He is the founder and head of BLOW UP PRESS, a boutique publishing house with a focus on contemporary photography. Kosmala is also the editor-in-chief of doc! photo magazine, a quarterly publication that highlights documentary photography projects. He is the creator of DEBUTS, an annual competition for emerging photographers, and has served as a juror for various international photography competitions.

For 25 years, Michele Aboud has evolved and refined her photography resulting in an extensive and remarkable portfolio of work. Her editorial work has been featured in several notable publications, including Vogue, Interview, Harpers Bazaar, Rolling Stone Oyster and Noise. Her commercial achievements are balanced by a robust and personal practice in portraiture and, more recently, motion picture. In 2014, she was awarded the Taylor Wessing Portrait Prize by the National Portrait Gallery in London, and in 2017, the National Photographic Portrait Prize by the National Portrait Gallery in Canberra. Her work has been widely exhibited internationally, most notably in Sydney, Toronto, London, and New York.

Moshe Rosenzveig OAM is the founder and Creative Director of Head On Photo Festival.

Moshe has over 40 years’ experience in the media as a photojournalist, award-winning television producer/director (SBS TV) and commercial photographer. He has held lecturing positions at the University of Technology (UTS), the Australian Film, Television and Radio School (AFTRS) and others. He has also sat on judging panels for various competitions including The Walkleys, Tokyo Photography Prize, Sydney’s Art & About and is the lead judge for Head On Photo Awards. In 2018, Moshe received an Order of Australia Medal for services to the arts.