WALK ON THE WILD SIDE: 'MYSTERY' WORKSHOP WITH MAGGIE STEBER

Maggie Steber workshop

 

Join Maggie Steber (recipient of the prestigious Guggenheim Fellowship 2017) as she leads you on a path into your deepest imagination, to ‘let loose’ with your visual practice through the pursuit and discovery of ‘mystery’. 

Each photographer looks at where and how we find ‘mystery’, creating an essay inspired by the sights and emotions of the life in the city and the tools learned in class.

The class will review work by wide variety of photographers (including Maggie’s) whose work addresses mystery.

Film noir, pulp fiction, the use of light and shadow to portray love and loss, life and death, suspense, murder, or the yin and yang of life. Together, the class will explore the idea of mystery and consider how to visualize it.

The workshop is for photographers who want to open their imagination and explore a new territory, even if for a short while, that will expand their thinking and visual approach. 

Participants are expected to have a basic understanding of their camera functions and operation. This is not a “how to” or technically focused program.

A workshop inspired by Maggie’s series The Secret Garden of Lily La Palma, which this year, earned her a Guggenheim Fellowship.

 

DATES & DETAILS

Cost: $1200 ($1175 members)

Maximum 15 participants

Dates: 4 May - 8 May 2017

Location: Paddington (TBC)

DAILY SCHEDULE BELOW:

 

Day

Date

Time

Activity

Thu

4 May

5pm – 9pm

Class time to review students’ work and get to know one another. For this review, please bring 10 of your favourite photographs, be it a project, series, or individual shots. Bring digital Images on a small USB drive or prints if you have them (however prints are not required if you have them digitally). Review of work by other photographers working with mystery as a theme, and Maggie’s work. Brainstorm about ideas you might have and build on that.

Students will be expected to photograph and bring photographs to class the next day.  Will discuss during the class. 

Fri

5 May

5pm – 9pm

Class time to review work you shot the night before or before class. Choose your 10 to 15 best/favourite images that show something compelling, mysterious, or scenic, whatever your theme, for showing in the class.  Critique and discussion on focusing ideas. Three in-class photographic exercises.  Bring a flashlight if you have one, your smartphone, and a camera to class for the exercises. There will be Class discussion of each student’s ideas. Discussion on how music and films can improve your style and thinking.

Sat

6 May

9am – 12.30pm

Shooting time for students

12.30pm – 3pm

Class time to review work. One on ones with Maggie.

Sun

7 May

9am – 12.30pm

Class time to review/critique progress with student projects. Lesson editing and sequencing your photographs. One on ones with Maggie

1pm-2.30pm

Shooting time or attend Head On Photo Festival panel discussion Unpacking the Prizes – Head On Photo Awards 2017 judges discuss their choices

3pm-6.30pm

Shooting time. Last day to photograph. One on one meetings with Maggie.

6.45pm

Dinner for workshop students and teachers (extra cost and optional)

Mon

 8 May

5pm-9pm

Class time to sequence final selection of photographs and build slide presentation.   (Last class day).

 

 

ABOUT THE PRESENTER

Maggie Steber is a documentary photographer who has worked in 66 countries on stories concerning the human experience. Her honours include the Leica Medal of Excellence, World Press Photo Foundation First Prize in Spot News, the Overseas Press Club, Pictures of the Year for Best Documentary Photo, the Medal of Honor for Distinguished Service to Journalism (University of Missouri), the Alicia Patterson Grant, the Ernst Haas Grant.  Steber also won and a Knight Foundation grant for the New American Newspaper project, a visually-driven tabloid she researched and conceived.

Maggie has served as a judge for many photographic competitions in several genres of work including documentary and art and conceptual photography. She was a judge for Head On Portrait Prize 2017, World Press Photo, International Pictures of the Year, the Alexia Grant, Visura Grant, Getty-Instagram Grant, the Pulitzer Prize (US), the Alicia Patterson Grant, Young Arts Foundation, the Miami Street Photography Festival, the Obscura Festival in Malaysia and many others.

For over three decades, Steber has worked in Haiti. Aperture published her monograph, DANCING ON FIRE in 1991. In 2013 Steber was named as one of 11 Women of Vision by National Geographic Magazine. 

Steber served as a Newsweek Magazine contract photographer in the 1990s and as the Asst. Managing Editor of Photography and Features at The Miami Herald from 1999-2013, overseeing photo-driven projects that won a Pulitzer and were twice finalists for the honour.

Steber’s photographs are included in the Library of Congress American Women Photographers Collection and The Richter Library among others including private collectors. Her work has been exhibited internationally including a group exhibition at the Jardins du Luxembourg in Paris to celebrate the 20th anniversary of Reporters Sans Frontieres. Main clients include National Geographic Magazine, The New York Times Magazine, Smithsonian Magazine, AARP, The Guardian, Politico, People, and Geo Magazine. Steber teaches workshops internationally including at the World Press Joop Swart Master Classes, the International Center for Photography in New York City, the Foundry Workshops, Missouri Photo Workshops, various Leica Akademie USA workshops in US and Canada, and at the Obscura Photo Festival in Penang, Malaysia.

 

COURSE OUTCOMES

By the conclusion of this workshop you will:

  1. Gain confidence in editing and sequencing your work
  2. Create photographs that are visually intriguing 

SUITABLE FOR

This is not a “how to” course. The workshop is best suited for people who are already familiar with the operations of their camera and are looking for a creativity driven course.

You can employ any photographic style from documentary to fine art.

Due to the quick turn-around time, we advise the use of a digital camera over analogue processes. 

WHAT TO BRING

  • Appropriate camera gear for your shooting style (+spare batteries!)
  • Check at the end of each class session for what you need to bring to the next one. This might include prints/digital file, a flashlight or other items brought up in class.
  • Note taking equipment (notepad, pen, digital tablet, etc.)
  • Sturdy shoes
  • Clothing suitable for the weather conditions (both indoor and outdoor)

 

$1,200.00 AUD
Member Price: 
$1,175.00 AUD